Why is Act I scene V of Romeo and Juliet an effective piece of drama Essays

Why is Act I scene V of Romeo and Juliet a successful bit of show Essays Why is Act I scene V of Romeo and Juliet a powerful bit of dramatization Essay Why is Act I scene V of Romeo and Juliet a powerful bit of dramatization Essay Shakespeares Romeo and Juliet is about Romeo from the Montague family and Juliet from the Capulet family who meet and experience passionate feelings for. Be that as it may, the issue is, their families are quarreling. They disastrously kick the bucket on account of their adoration for one another and afterward their families make up.I will break down Act I scene V of Romeo and Juliet and indicating how it is a viable bit of dramatization, by demonstrating the Dramatic impacts, the Themes, and the Plot Development.In Shakespeares time, the crowd was live, and there were no embellishments in places like the Globe theater (Shakespeares plays were composed to be performed there), so the entertainers (or players) needed to buckle down in depicting their characters and scenes.Dramatic impacts that could be made were through changes of state of mind and pace from area to segment, and the conduct of on-screen characters, with the accentuation of words, signal, and development. In Romeo And J uliet, Dramatic incongruity was utilized a great deal, as the crowd realize that the end is appalling a result of the preface, however the characters don't know.The characters discourse in Act 1 scene 5 shows the complexity of characters; with the individuals who talk in composition are lowborn, workers, and the individuals who talk in clear stanza or rhyme are respectable, higher, fundamental characters. For instance, Wheres Potpan, that he causes not to remove? He move a trencher! He scratch a trencher! In correlation, Tybalt talks in rhyme; Now, by the stock and respect of my family, To strike him dead I hold it not a transgression The main special case would be a comedic character talking in writing, however this doesn't make a difference in this scene. The utilization of complexity and closeness between the old and youthful, forceful and delicate, and respectable and lowborn uncovers their characters in more depth.There are three fundamental subjects remembered for this play. O ne topic is Hatred. In Act I Scene V this incorporates the resentment of Capulet towards Tybalt when Tybalt tells Capulet of Romeo at the gathering. He will be endurd. What, Goodman kid! I state he will. Go to. He utilizes short, smart sentences, objectives, to show his indignation towards Tybalt. Tybalt shows disdain towards Romeo, as appeared here; Fetch me my blade, kid. What, sets out the slave Come here, coverd with a prank face, To escape and disdain at our gravity? Tybalt utilizes sibilance so he sounds resentful. Tybalt has considerations of vengeance towards Romeo, and says, I will pull back, yet this interruption will, Now appearing to be sweet, convert to bittrest nerve. The scorn appeared here influences the remainder of the play in light of the fact that without this contempt, later in the play, Romeo would have not killed Tybalt, not got sent to Mantua, and the deplorability of Romeo and Juliets passing would have not happened.The subject of Love is depicted when Romeo sees Juliet just because. O, She doth show the lights to consume splendid! It appears she hangs upon the cheek of night He utilizes rhyming couplets and depicts Juliet as light, and lovely contrasted with everything else. At the point when Romeo and Juliet address each other just because, they are talking in a piece, reflecting every others words. They are truly in their very own universe, as they are isolated from the various characters in front of an audience, and the crowd is centered around them, despite the fact that there is as yet a gathering out of sight. Romeo and Juliet are having a similar measure of lines and significant words, for example, hands or lips, which shows their common inclination, and their actual and unadulterated love is appeared by their touchy conduct and their talking about hands and lips. To some this may appear to be coquettish, yet there is strict symbolism included, for example, And palm to palm is blessed palmers kiss. Juliet is talking here of the explorers that touch the hands of the holy people sculptures in chapel, and how huge they are, relating them to a kiss. She is truly disclosing to Romeo that he may either contact her hand or kiss her, which makes their affection for one another increasingly unadulterated and innocent.The last topic is Fate. Romeo appears to indicate a premonition feeling of anxiety; Ay, so I dread, to more is my distress. What's more, Juliet discusses love and demise; My grave resembles to be my wedding bed. These are hunches, as what they talk about really happens later in the play. They additionally show sensational incongruity, as the crowd definitely realize what will occur at long last from the prologue.The plot shows social customs and setting of the time, with the family respect of the individuals of Verona. Tybalt is offended by Romeos nearness at the gathering, and is fair to his family. Uncle, this is a Montague, our adversary; A miscreant, that is here come in demonstrate hatred for, To disdain at our seriousness this night his animosity shows that he is a fierce and wild character.At Capulets party, they are to acquaint Juliet with Paris, however Juliet doesn't become hopelessly enamored with Paris, yet with Romeo. The gathering additionally shows that Capulet has an enormous house with numerous workers and a huge, full table of food and drink accessible for any individual who might want to exploit this. Come, lets away, the outsiders are completely gone. This discloses to us that he would welcome outsiders into his home so they would have fun. This shows his status as very high for that time, since individuals of that time were known for their benevolence and generosity.The improvement of the plot shows the characters connections and inspirations develop. More activity is presented, and the crowd become tense from the storyline. This scene is exceptionally huge towards the remainder of the play, and is a huge bit of dramatization in that manner, as the entire cr eation of Romeo and Juliet is a huge bit of show itself.

Interview Research Paper Example | Topics and Well Written Essays - 7250 words

Meeting - Research Paper Example Additionally, the meetings directed have been planned for deciding the assessments held by the referenced authorities with respect to the investment of their separate organizations towards the facilitation of the endeavors to change the city of Abu Dhabi into a worldwide field. Likewise, the led interviews tried to pick up the perspective on said authorities on business, preparing and advancement, job of the private part and Abu Dhabi’s neighborhood frameworks. These then are accepted to give legitimate and complete data with respect to the monetary enhancement of Abu Dhabi from the vantage purpose of Mudabala and Siemen’s as key players in the said endeavor. The motivation behind this examination is to comprehend the pretended by Mudabala and Siemen’s in the monetary enhancement of Abu Dhabi. Mudabala Development Company (Mudabala) is a speculation vehicle entirely claimed by the Government Abu Dhabi. Mudabala plans to advance the monetary of Abu Dhabi through broadening. The essential endeavor of the organization is to go into long haul capital-escalated speculations in order to give Abu Dhabi solid budgetary returns and forceful enhancements in the city. Then again, Siemen’s, as a significant individual from the Masdar Institute has been instrumental in the process involved by change. Accordingly, this paper attempted to look for the assessment of the leading figures of the two organizations assuming control of the monetary expansion of Abu Dhabi. The perspectives communicated by the Chief Operating Officers of Mudabala and Siemen’s has been instrumental in setting up a reasonable and top to bottom view concerning the means required by the â€Å"Plan Abu Dhabi 2030: Urban Structure Framework Plan.† The meetings directed will give the perusers a far reaching investigate the financial dynamic course that Abu Dhabi is as of now embraced. Setting has been characterized as the way individuals credit certain significance to the

Black Lives Matter

Black Lives Matter Warning: Before reading this post, be aware that it contains extremely strong language. It was the only way I could write it honestly, the only way I could bring words to my feelings.   ** I moved to the United States of America three years ago. Packed all my belongings into four luggage bags, rolled into a car with my five siblings and my mom and my dad. Suddenly, I was at the airport, hugging everyone as tightly as I could. Suddenly I was on the other side of the line, separated from my family by a sign that read “ONLY PASSENGERS BEYOND THIS POINT”. Suddenly, I was on a plane, my country shrinking beneath me, until the cars were ants and the buildings were little toy models. I was sad, but I was also excited. Up until then, I’d only seen America through the lens of blockbuster Hollywood movies. It was beautiful, wondrous, exciting. The possibilities were infinite. I was filled with boyish wonder, and I was ready for my grand adventure. Since then, I’ve met a lot of people here, and when small chatter invariably leads to them finding out I’m from Nigeria, they ask variations of the same question: “How do you like it here?” and “Is Nigeria different from America?” Yes it is. It’s dryer and hotter, hot enough that we’re always making the same lame old jokes about cooking meat on the pavements. The food is wildly different. In Nigeria, food is abacha and achicha and eba and fufu and egusi and suya. In America, food is burger and pasta and coleslaw and pizza and fries and Coca-Cola in three cup sizes. And in Nigeria, virtually everyone has the same dark skin. Sure, there’s a substantial number of white people and Asians and a tapestry of races, but mostly, we’re black. And because we’re mostly black, “being black” was never a term that was part of my daily vocabulary. You were tall or short or fat or skinny or intelligent or a complete and utter idiot, but you weren’t black. It was as weird as saying “you’re human”. But by my first week in this country, that word popped up a lot. In orientation, I learned about the Black Student Union. On the news, the word “black” seemed to pop up with surprising regularity. A lot of my newly made African-American friends would jokingly respond to my shocking love of country music with, “You’re black! Where’s your Kendrick Lamar? Your J. Cole?” The word “black” got more weight and I wasn’t quite sure how to deal with it. Mostly, I didn’t know if I had any “right” to consider myself black. The word referred to African-Americans right? And I was African. Was there a distinction between being black and being African? I spent most of my time afloat in the comforting bubble of MIT, so it didn’t really matter. I had psets to punt, midterms to whine about, shows to binge-watch on my down time, and while the concept of blackness sometimes seeped into my thoughts, I decided it ultimately didn’t really matter. As that corny-ass saying goes, “The only race that matters is the human race.” If only. A few months here, and I decided to go to the post office. I can’t remember why; I think it had something to do with my passport. But after I’m done at the post office, I’m walking down Central Square feeling pretty good. The sun is starting to set, and Boston is strangely not showing its bipolar sleeves this evening. Not too hot, not too cold. There’s a nice wind even. I’m almost at my dorm when I hear someone screaming, “Hey! HEY!” I turn around to see a heavyset, middle-aged white man racing toward me. I start to panick. I’m clumsy as hell so I probably dropped my ID card or my debit card on the sidewalk, and he spotted it. I reach into my pockets, but even as I’m tapping around and feeling both cards secure and in place, I start to realize something is wrong because his face is contorted in rage, and he’s not approaching me in the “Hey, you dropped this” kinda way. He’s approaching me in the “You utter piece of shit” kind of way. Next thing I know, his arms are around my shirt, and he’s shaking me and telling me to confess. “I saw you!” he says. “I saw you grab her wallet. Where is it? Where is it?” He’s screaming in my face. I notice one of the MBTA buses parked by the side of the road, but only vaguely, because my head is somewhere else, adrift in confusion, and as it sinks in what he’s accusing me of, and as he begins to say “why can’t you niggers”, I completely lose it. I start to scream at him. I start to push him off. I start to yell about calling the police. “Call the police!” he tells me. “Call them right now.” We’re interrupted by someone hanging out the bus, yelling at us to get our attention. It’s another man and he’s saying, “You got the wrong guy! You got the wrong guy!” For whatever reason, the man holding me chooses to believe him. He lets me go. Without saying a worda single wordhe turns around and begins to walk toward the bus. I stand there, stunned, waiting to see if he’ll say anything, but he keeps walking, and in a tone so unlike mine, I yell profanities at him until he’s in the bus and out of sight. I turn around, and people are staring at me. Their expressions are variations of a themeannoyed, judgmental, concerned. I keep walking into my dorm, shaking with such anger. When I’m in my room, I almost cry. But I force myself not to. All I see is that man’s pink bloated face as he screams in my ears, “Why can’t you niggers” ** I don’t know why I’m writing this. I’m not quite sure what I hoped to achieve when I sat in front of my computer and began typing. But thirty minutes ago, I was looking through Facebook comments, on a news post about a man named Philando Castille, and the comments are going “Why do black people never protest black-on-black crime?” and “They always look for ways to play the victim.” I’m thinking of the video of Philando leaking blood, and I’m thinking of his girlfriend trying to stay calm and I’m thinking of their kid in the back seat. And I’m staring at these comments. Someone has just put up a meme of a lady staring intensely at a laptop; the meme is captioned, “There Must Be Some Way This Victimizes Me.” And I want to post a reply. I want so badly to say, “SHUT UP! SHUT THE FUCK UP BECAUSE YOU DON’TYOU ABSOLUTELY DO NOT KNOW WHAT THE FUCK YOU’RE TALKING ABOUT.” But it would never be enough to type it. I wanna scream it at their faces. I wanna reach through my screen and grab them by the heads and shake them like ragdolls and tell them to shut UP. FOR ONCE. I’ve been in America for three years, and I feel wholly underqualified to speak about matters like this. In Nigeria, they floated past my radar, so why take them on now? I don’t know. I can’t hide under some fancy little idea that there’s a barrier between black and Africanbecause what matters to these peopleyou know who these people areis that they can take one look at the color of your skin, and populate their minds with the entire backstory of you. They can take one look at you, and before they’re even looking away, they’ve put youthey’ve put usin this mental catalogue. It’s this dreamy little world where thugs and criminals and menacing and lazy lives. I go on my NewsFeed and I see my black friends post. They’re tired. This same old shit. This same old story. Only difference is the face this time. They’re upset. They’re heartbroken. The names keep growing, the protests continue. Someone hits reset. And here we are again. ** Dontre Hamilton. Eric Garner. John Crawford III. Michael Brown Junior. Ezell Ford. Akai Gurley. Tamir Rice. Jerame Reid. Tony Robinson. Eric Harris. Walter Scott. Freddie Gray. Sandra Bland. ** Alton Sterling. Philando Castile. ** And I’m tired too. I’m tired of living in denial. I tell myself each time that there’s something I’m not seeing, that there’s more to the story. That it’s not hunting season on black people, because why would it be. That the problem is deeper, nuanced, more complicated. But then I see those comments on Facebook. “He shouldn’t have resisted” and “He was no angel” and “All lives matter”. Those god-awful comments, made from pedestals of privilege so blinding they think they live in a world where the same rules apply to them. This is the same country that had separate toilets, fountains, buses for “colored people”. This is the same place where black people were once slaves, property, indistinguishable from land and cows and cutlery. This is the same place where historically black colleges had to be a thing for black people to have any hope of an education. The same place where white Brock Turner gets six months after caught in the act of rape, and black Brian Banks gets imprisoned for five years on a false rape charge. The same place where the black bodies keep piling up, where the executioners stow their guns in their holsters and go home to watch football and live their tidy lives. There is no nuance, there is no complication. There is no subtlety. There is a problem. We feel like dogs. We feel like we don’t matter. So the next time someone starts with that bullshitall lives matterI’m gonna resist the urge to kick them in the face, because violence is never the answer. Im gonna think of the ever-growing list of names, and I’m going to think of Philando Castille, and I’m going to wonder how all lives matter when their lives didn’t, not to those on the other end of the trigger. In a flash, in the same moment it takes to flip a coin, they destroyed decades of hopes, dreams, thoughts of the future, family. They destroy the promise of a life where you can rise from bed in the morning and be reasonably certain of returning to sleep at night. They take away the illusion of safety, of protection. Because you’re a thug and you were resisting and you were never a good father to begin with and you should know better and if only you had complied, if only you had been a model citizen, if only you had followed the law, if only, if only. If only you were anything but black. ** Same old story, ain’t it? There’s nothing else I can say. Same old story. Only thing that has changed is the face. Rest in peace, Alton. Rest in peace, Philando. And rest in peace, to the names that haven’t been added yet, but soon will be. **

Business Process Reengineering ( Bpr ) Essay - 1538 Words

INTRODUCTION Business process reengineering (BPR) is a management strategy for the business, a leader in origin in the early 1990s, with an emphasis on analysis and design workflow and business processes within the organization. BPR, which aims to help organizations fundamentally rethink how to do their job in order to improve customer service significantly, reduce operational costs and become competitive on a global level. Financial institutions and banks are constantly called upon to provide customer service driven. For this are banks and financial institutions to adopt unique concepts in business process reengineering any fundamental re-thinking and radical redesign in the area of operations to achieve significant improvements of decisive measures, in contemporary performance such as cost, quality, speed and service. At present cut-throat competition in each of the banks, the national and international levels, age, and can specifically wanted to provide services focused on customer service to fill the void. But in order to become the leading company in the market, and can require more to penetrate the institutional performance through the adoption of the review with them. SBI adopted (State Bank of India) this concept in the review by breakthrough innovations among all the branches across the whole world. This study discusses the research paper usually on changing scenario of the SBI (State Bank of India) after the adoption of the concept review. I ve really adopted theShow MoreRelatedThe Business Process Reengineering ( Bpr ) Essay1573 Words   |  7 Pages1. Abstract: Business Process Reengineering (BPR) is a method, helps to observe and analyze the business process to determine the changes within or outside the enterprises to streamline the operations of the business. 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Essay on Propoganda, Advocacy and Yellow Journalism

The Martians are coming. American jobs taken by Illegal Immigrants. USDA needs to enforce stricter regulations on cattle feed. Each headline could be found in todays news. When putting together a story, the interpretation of facts depends on how the facts are presented or the assumptions made by the journalist. It would be inaccurate to suggest or imply that the press and the media are always responsible and truthful. After all, stories with sensational headlines or titles that greatly stir our emotions tend to get the most notice. We must learn to recognize the methods by which news is camouflaged so we can discern fact from fiction Every time we turn on a radio or television, open a book, magazine or newspaper someone is trying†¦show more content†¦Industrialization had revolutionized the newspaper industry allowing machines to print thousands of papers in a night, providing publishers with the ability to provide more newspapers (Campbell 2001). Hearst and Pulitzer found attention grabbing, sensational headlines sold more papers.This began the brand of reporting known as yellow journalism. These publishers were credited with starting the Spanish American War due to their exaggeration and inflammatory headlines (Campbell 2001). Although, yellow journalism became the term for this practice of sensationalism and sometimes outright lies, yellow journalism was derived from a cartoon strip called the Yellow Kid (see picture 1). First published in Pulitzers New York World it then moved to Hearsts New York Journal. Critics coined the phrase yellow journalism to describe the special non smear yellow ink and the significance of the comic strip (Yellow Journalism 2005) Yellow journalism was characterized not only by its exaggeration but its layout. Multi column headlines, page one banners, Front page treatment of stories, illustrations, photographs, maps, the tendency to rely on anonymous sources and the eager indulgence of self promotion were other qualities inherent to yellow journalism (Campbell 2001). National Enquirer, The Star and The Globe are familiar tabloids (see picture 2). They are the most flagrant models of yellow journalism and the most recognized

Plant Imagery Throughout the Scarlet Letter Free Essays

Honors American Lit. B The Scarlet Letter Pathway Paper – 694 wordsApril 23, 2013 Throughout The Scarlet Letter Nathaniel Hawthorne uses vegetation imagery in correlation with his ideas about sinful nature and god. When describing the prison in the very beginning of the novel, Hawthorne writes, â€Å"a grass-plot, much overgrown with†¦ such unsightly vegetation, which evidently found something congenial in the soil that had so early borne the black flower of civilized society, a prison† (45-46). We will write a custom essay sample on Plant Imagery Throughout the Scarlet Letter or any similar topic only for you Order Now Hawthorne uses the imagery of a black flower to depict the sinful nature of humans as it was inevitable that even in this new flourishing society the people there saw the need to build a prison. This vivid image also relates to the Puritan’s harsh view on sin in the community. Throughout the novel Hawthorne frequently criticizes the Puritan society, this being another example, â€Å"but the proprietor appeared already to have relinquished, as hopeless, the effort to perpetuate on this side of the Atlantic, in a hard soil and amid the close struggle for subsistence, the native English taste for ornamental gardening† (97). The description of the Governor’s ornamental garden shows the garden failing, as if the person caring for it had given up and realized that it was impossible to have the ornamental garden in Boston the way it was in England. This parallels Hawthorne’s beliefs about Puritan society in that their abstruse beliefs would not sustain in the new world they were creating, for god is depicted through nature demonstrating how Hawthorne feels god is looking down on the materialistic and frivolous ways of the Puritans. Later in the novel Chillingworth says, â€Å"wherefore not, since all the powers of nature call so earnestly for the confession of sin, that these black weeds have sprung up out of a buried heart, to make manifest an unspoken crime? † (119). Nature is being associated with god in this passage therefore Hawthorne is saying that god calls for the confession of sin and goes on to say that god disapproves of a person that does not confess, thus the black weeds, mirroring sin, grow on the graves of those who cling to secrets. This idea is also repeated later in the novel, â€Å"and all this time, perchance, when poor Mr. Dimmesdale was thinking of his grave, he questioned with himself whether the grass would ever grow on it, because an accursed thing must there be buried! † (130). Sin is again depicted as lifelessness in this passage, for Dimmesdale has sinned, and not confessed; therefore he is concerned that god will reject him. Hawthorne clearly writes with a style of dark romanticism epitomized through his description of sin in the beginning of the novel as inexorable in every society. Hawthorne also reflects his religious views and those of his times period in the way he sees god and nature as one, similar to the ideas of Pantheism, a belief in the manifestation of god through nature. Hawthorne frequently links god to nature as seen when Hester calls to nature, as if calling to god, for forgiveness, â€Å"’Thou shalt forgive me! ’ cried Hester, flinging herself on the fallen leaves beside him† (175). While nature symbolizes sin, it also symbolizes the comforting and forgiving appearance of god. In relation to the bible, â€Å"†¦the yellow leaves will show no vestige of the white man’s tread† (178), the yellow leaves reference the scripture Isaiah 43:25, which reads, â€Å"I, even I, am he who blots out your transgressions, for my own sake, and remembers your sins no more† displaying the tie between nature and god both covering and forgetting sins; also tying into Hawthorne’s religious perspective in his writing. Nathaniel Hawthorne articulates his views on sin and god through his use of vegetation imagery throughout the scarlet letter; he continually uses dead and â€Å"black† imagery to allude to sin and secrets. His use of dead vegetation implies that he believes confession is the relief of the burden of sin and the necessary action to obtain god’s approval and forgiveness. Hawthorne also represents god’s forgiveness through plant imagery; connecting god’s washing away of sin to the forest and nature washing away of sin. Fundamentally Hawthorne uses vegetation to convey his ideas on divinity and human sinful nature in The Scarlet Letter. How to cite Plant Imagery Throughout the Scarlet Letter, Papers

Separate Peace Essays (718 words) - Phillips Exeter Academy

Separate Peace Gene Forrester's difficult journey towards maturity and the adult world is a main focus of the novel, A Separate Peace, by John Knowles. Gene's journey begins the moment he pushes Phineas from the tree and the process continues until he visits the tree fifteen years later. Throughout this time, Gene must become self-aware, face reality and the future, confront his problems, as well as forgive and accept the person that he is. With the jouncing of the limb, Gene realizes his problems and the true person he is inside. Fifteen years later, when revisiting the tree, he finally accepts and forgives himself. This journey is a long and painful one. At the end of this long and winding road filled with ditches, difficulties and problems, Gene emerges a mature adult. Gene jounces the limb and causes Finny's fall and at that moment becomes aware of his inner-self and learns of his true feelings. This revelation comes to him back in his room before he and Finny leave for the tree. It surrounds him with the shock of his true self until he finally reacts by jouncing the limb. Up in the tree, before the two friends are about to make their "double-jump", Gene sees Finny in this new light. He realizes that Finny feels no jealousy or hatred towards him and that Finny is indeed perfect in every way. Gene becomes aware that only he is the jealous one. He learns of his animosity and that he really is a "savage underneath". Over a long period of time Gene had been denying his feelings of hatred towards Finny, saying that it was normal for him to feel this way. Now all of the feelings come back to him and he sees how terrible he really is. The realization that these feelings are one-sided causes Gene to to fall dramatically in comparison to Finny (he paints himself black for these feelings and because Finny doesn't share them, he puts a halo around Finny's head), concludes with the neccessity for Finny to be brought down to his level, and results with Gene jouncing the limb. After the realization of the person he truly is, in his room and up in the tree, Gene must now confront his problems, face reality, and deal with the future. He must learn that communication is very important in a relationship and that he must express himself instead of keeping his feelings inside, as he had always done with Finny. He must learn to listen to himself rather than to others. These were just a few of the many problems there were in his relationship with Finny. He must face reality and acknowledge the fact that he isn't as great as Finny, that he is his own individual person and that Finny isn't as perfect as he thought. Gene must accept the guilt for Finny's difficulties after his injury and must help Finny as a punishment and act of repentence for his deed. Gene does this by "giving a part of himself to Finny" as we see with the case of sports throughout the rest of the novel - how Gene "becomes" Finny when it comes to sports. Although the above are all of great importance, the greatest hurdle Gene must overcome is learning to live with what he's done. This painful step is the one which will allow him to completely mature. The final stage of Gene's maturation is his self-acceptence and self-forgivness. He has to accept that he isn't perfect and that he, like any other normal being (even Finny), has faults. Accepting that his innocence has been lost helps Gene move on into another part of his life and realize that he can never return to the days of his innocent youth again. He can now become a man, enter the war and adult world and leave his youth behind. Forgiving himself is the step which allows Gene to lead a normal life and enter society. He must finally forgive himself completely for his blind act and allow himself to "come in out of the rain". By accepting as well as forgiving the person that he is, Gene enables himself to move on and join the adult world. Gene's maturation is long, painful. It is a painful and difficult process that reveals a darker side of Gene that he doesn't neccessarily wish to see. However painful, Gene is made a better person during his maturation through his suffering. Through his pain and awful revalations about himself, Gene matures